South African DJ and producer Skillz continues his evolution from behind-the-scenes hitmaker to lead artist with the music video for “Phumelela,” featuring Simmy and Zeh McGeba. The cinematic visual premiered exclusively on Trace TV on Friday, 28 August 2026, with the release presented through gamma.
A New Chapter After The Success Of “Mamma”
Following the commercial and viral success of “Mamma” alongside Zee Nxumalo and Sykes, Skillz is keeping the momentum going with a release that showcases a more spiritual and introspective side of his artistry.
“Phumelela” represents another major push for Skillz as a lead artist, combining the production expertise he has developed over more than a decade with an increasingly distinctive artistic and visual identity.
Rather than simply accompanying the song, the music video expands its message into a story centred on faith, perseverance, purpose and transformation.
Lalibela Inspires A Spiritual Journey
Directed by Luthando Sigubudu and produced by Kwezi Kreativ, with executive production from Supreme Music Group’s Wandile Ngubane and Zwakele Mdletshe, the “Phumelela” visual draws inspiration from the pilgrimage traditions associated with Lalibela, Ethiopia.
Set against sweeping sandstone landscapes, the video follows a group of believers making their way through the mountains in search of blessings, success and a greater sense of purpose.
Flowing white and blue garments, candlelight and open flames help create a spiritual atmosphere that complements the emotional weight of the record.
Every Element Carries A Deeper Meaning
The visual symbolism throughout “Phumelela” is closely connected to the song’s central themes.
The mountains represent elevation and the pursuit of something greater, while the cave signifies introspection and the process of confronting what lies within oneself.
Drums serve as a representation of the heartbeat, roots and a call to awaken, while the white clothing worn throughout the video reflects purity, surrender and walking towards the light.
The presence of the church community further reinforces ideas of faith, spirituality and human connection.
Skillz Wants Listeners To Leave With Hope
For Skillz, the most important part of the visual is the feeling audiences carry with them after watching it.
“I want my community to watch the video and leave with a sense of hope. No matter how dark or lonely things might feel, I want them to remember that there’s still purpose, there’s still faith, and there’s always a way towards the light,” Skillz says.
That message sits at the heart of the record itself.
“Phumelela” translates to “to succeed” or “to prevail” in isiZulu, making the title a reflection of triumph after adversity and the belief that difficult circumstances do not have to define the final destination.
From Esikhawini To Working With Some Of SA’s Biggest Artists
Born and raised in Esikhawini, KwaZulu-Natal, Skillz began composing instrumentals at just 15 years old before securing his first major placements in 2014.
Over the decade that followed, he built an impressive production résumé, working with some of South Africa’s most recognisable artists, including DJ Zinhle, Zakes Bantwini, Sun-El Musician, DJ Tira, Mampintsha, DJ Lag, Babes Wodumo and DJ Sox.
His recent catalogue has increasingly placed his own name at the forefront.
Among those releases is “Sorry” alongside DJ Zinhle, MK Productions and Section Five, while “Mamma” with Zee Nxumalo and Sykes helped introduce Skillz to an even broader audience.
Skillz Is Building His Own Identity As A Lead Artist
While his production credentials have already been established, “Phumelela” signals that Skillz is no longer content with being known primarily for helping shape other artists’ records.
His latest chapter is about building a catalogue, sound and visual language that audiences can identify as distinctly his own.
With Simmy and Zeh McGeba joining him on “Phumelela,” Skillz uses a message of perseverance and faith to take another significant step from respected producer to an artist increasingly comfortable occupying centre stage.
